Prometheus winner Dave Freer has a new novel coming out soon.
Storm-Dragon, to be published April 11, 2025, by Raconteur Press, is a relatively short novel (with illustrations) geared toward a young-adult audience – and especially targeted at boys and teenagers.
“It is my attempt at writing a Heinlein “Juvie” – a book aimed specifically at teen boys (not their scene) to get them interested in sf,” Freer said in an email from his home base Down Under in the Australian state of Tasmania.
By Steve Gaalema and Michael Grossberg
Oh, what a brave new world Danny King charts in Cancelled – now a Best Novel finalist.
Framed initially as a visionary utopia that fully embraces love, inclusion, social justice, and a triumphant institutionalization of progressive-left politics maybe not that far beyond current norms, this New Britannia initially might seem appealing.
Yet, cracks inevitably appear in the facade, as hidden realities are revealed in this gripping SF-enhanced dystopian fable, one of 11 2024 novels nominated for the next Prometheus Award for Best Novel.
Several Prometheus-recognized authors are included on New Scientist’s intriguing list of the 26 best science fiction/fantasy stories of all time.
E.M. Forster’s “The Machine Stops” is the only story on the magazine’s list previously inducted into the Libertarian Futurist Society’s Prometheus Hall of Fame. Yet, several other enduring and Prometheus-winning authors have classic stories on the magazine’s list – just not the ones our award has recognized.
Among them: Ray Bradbury, Robert Heinlein, Ursula K. Le Guin and Kurt Vonnegut.
It’s interesting to see which of their stories are recognized by the magazine, and why.
By Michael Grossberg and Charlie Morrison
A genre-smashing, bestselling and award-winning novelist, Stuart Turton is widely hailed for his speculative tales of mystery, imagination and human complexity.
The Last Murder at the End of the World, one of 11 Prometheus Best Novel nominees from 2024 and the first work by Turton recognized by our awards, offers the satisfactions of several types of works in one strange but compelling hybrid.
It’s an ingenious murder mystery, an imaginative work of science fiction/fantasy, a suspenseful story of survival, a cautionary dystopian tale, a haunting memory piece and a gripping drama.
Lionel Shriver, arguably the world’s greatest living libertarian novelist, has found another timely subject worthy of her illuminating insight and piercing wit.
Living up to her iconoclastic reputation, the British-American novelist finds satirical, intensely dramatic and gut-wrenchingly personal dimensions to bring to life in Mania.
The cautionary fable depicts a slightly different but recognizable contemporary world where good intentions have gone terribly astray.
Set in the recent past and present but in a wryly revealing alternate history, Mania portrays an America taken over by a new ideology: the Mental Parity movement.
Warning: Any resemblances to any cultlike trends or movements of today or just yesterday are purely intentional.
Most economists, legal experts, academics and libertarian theorists focus on the real world, not fantasy or science fiction.
Yet, David Friedman, the free-market economist, retired professor, physicist and legal scholar who’s written a variety of wide-ranging nonfiction books and textbooks, is also a lifelong science fiction fan and acclaimed fantasy author.
Friedman, who recently agreed to speak as a presenter in August at the 45th annual Prometheus Awards ceremony, probably should be better known – and more widely read – as a fantasy novelist within the broad and overlapping circles of SF/fantasy fans and Libertarian Futurist Society members.
David Friedman, the influential economist, legal scholar, libertarian theorist and novelist, has graciously agreed to speak and present a category at this year’s 45th Prometheus Awards ceremony.
Friedman is best known for his academic scholarship and for The Machinery of Freedom, his pioneering libertarian classic. With an empirical focus on the practical solutions to many social problems that private markets can address optimally, and far better than governments, Friedman’s nonfiction book had a major impact on the early libertarian movement in the 1970s and 1980s.
Yet, Friedman is also a science fiction fan and a novelist who has written three fantasy novels, apt and additional reasons the Libertarian Futurist Society board of directors invited him to speak and present the Prometheus Hall of Fame category for Best Classic Fiction at our 2025 Prometheus Awards ceremony.
For the convenience of LFS members and a guide to this year’s Prometheus Awards, the Prometheus Blog has now posted reviews of all four of the year’s Prometheus Hall of Fame finalists for Best Classic Fiction.
Libertarian Futurist Society members, who have the right to vote to select the annual Best Classic Fiction winner, are invited to read (or reread) our reviews of the 2025 finalists: Poul Anderson’s novel Orion Shall Rise, Rudyard Kipling’s story “As Easy as A.B.C.,” the Rush song “The Trees” and Charles Stross’ novel Singularity Sky.
Other science fiction and fantasy fans, outside the LFS, also may wish to check out the reviews to appreciate these works and to better understand how they fit the distinctive dual focus of the Prometheus Awards on both quality and liberty.
As an epigraph for his novel Glory Road, Robert Heinlein quoted a passage from Bernard Shaw’s play Caesar and Cleopatra, which included the following memorable line:
. . . he is a barbarian, and thinks that the customs of his tribe and island are the laws of nature.
These lines captured, for me, what I have come to feel is one of the great pleasures of science fiction: stories set in worlds whose customs are different from those of our own time, or as I like to call them, heterotopias—neither “good places” nor “bad places” but “other places,” where customs other than ours are followed and indeed taken for granted.
Such visions implicitly, and sometimes explicitly, invite us to adopt the heterotopian perspective and look back on our own lives and our own world as if we inhabited some nearly unimaginable alien realm. The literary critic Darko Suvin coined the phrase cognitive estrangement for this experience.
One of the first works of fiction that made me feel this effect was one of Rudyard Kipling’s “airship utopia” stories, “As Easy as A.B.C.” – now one of four classic works selected as finalists for the next Prometheus Hall of Fame award for Best Classic Fiction.
When Libertarian Futurist Society members vote to select annual winners from the slate of Prometheus Awards finalists for Best Novel or the Prometheus Hall of Fame for Best Classic Fiction, that really means something.
That’s because it’s the highest level of recognition possible by the LFS as a whole – and those two awards come with an engraved plaque and a gold coin prize.
Similarly, the annual slates of (typically four or five) finalists mean a lot, too. Achieving Prometheus finalist status can bring a worthy work or an emerging author to wider attention, not only by LFS members but the wider communities of SF/fantasy fans and libertarians.
Prometheus finalists are selected by hard-working LFS members appointed to the committees that judge each year’s Prometheus nominees in our two annual awards categories, with the wider LFS membership then having several months to consider and rank the finalists on the final ballot to choose the winners.
As such, and unlike a basic nomination, the slate of Prometheus finalists represents the first stamp of approval from the LFS itself as a nonprofit international association of freedom-loving SF/fantasy fans.
Continue reading What a nomination means (and doesn’t mean) in the Prometheus Awards
