Here is the second part of the Prometheus-blog interview with sf writer Karl K. Gallagher.
A 2022 Best Novel finalist for his Fall of the Censor novels Between Home and Ruin and Seize What’s Held Dear, Gallagher is in the midst of completing his projected nine-volume Censor series.
Q: Your trilogy of Torchship, Torchship Pilot and Torchship Captain, published in 2017, were together combined into one nomination by LFS judges and ended up ranked as a Prometheus Best Novel finalist in 2018. What were the main pleasures and challenges of writing your Torchship trilogy?
On a larger scale, it gave me a chance to exercise some of the ideas I hadn’t been able to turn into serious essays, such as AI disaster through failure of the software and social stresses from people trying to escape being at the bottom of the social pecking order.
The biggest challenge was having the discipline to keep my butt in the chair and keep writing. I also found that finding typos, grammar errors, and continuity errors can be harder than the original writing. Fortunately, my wife is a talented editor and has improved my work considerably.
Q: Was it daunting to launch your Fall of the Censor series, even
after having written your earlier Torchship trilogy?
A: Some. The ‘nine’ books in the series is an estimate. If the story goes in another direction, the series may be a book or two longer or shorter. That’s committing most of a decade of writing to one project. I am determined to complete it. Too many readers have been left hanging by unfinished series. I don’t want to disappoint mine.
Q: What lessons did you learn from writing your first trilogy that are
helping you to plan and write your Fall of the Censor series?
A: The biggest lesson is to not be afraid of recycling. Torchship’s plot was built from RPG adventures that I used for pick up games at SF cons.
Fall of the Censor drew from RPG material I’d written (but not
published) and other ideas I’d been kicking around for a while.
Second lesson is to start writing even if I don’t have a complete
outline yet. I need at least a partial outline to get started, but I
can work with an outline for half the book and write tens of thousands
of words in confidence that I’ll figure out the rest of the story
later. This approach probably horrifies other authors who believe in
completely plotting out their novels or series, but it works for me.
Q: So far, the Prometheus Awards have recognized each of the first three novels published in your ambitious Fall of the Censor series, starting with Storm Between the Stars, a 2021 Best Novel finalist, and the two 2021 sequels, both of which became 2022 Best Novel finalists: Between Home and Ruin and Seize What’s Held Dear.
Can you give us an interim progress report, including how many more years you expect to take to complete the series?
Book six, as yet untitled, has a rough outline. I’m hoping to have books 5 and 6 out in 2023. If all goes well, the series will be finished in 2025.
Q: What else can you share, at this point, about your plans for the
Fall of the Censor series, without giving anything major away?
A: As you can guess from the title of the series, the good guys will win and the Censor will be toppled. It won’t be cheap, or easy, and the galaxy will be left in a bit of a mess. Which will create opportunities for more stories. I expect I’ll write some different ones and give these
characters a rest before returning to the Censorverse.
Q: Do you see pros and cons in writing series?
A: The simplest pro is that when you start the next book in the series,
you already have most of the characters and settings you need for the
new story. That saves a bunch of skull sweat up front. If you have a
complex enough situation the next book’s plot flows automatically from
the end of the previous one. You also gather more readers as they
become invested in the story. Long and successful series can spawn fan
clubs and cosplayers.
On the con side, you’re restricting your creativity by all the decisions made in the earlier books. If you’ve resolved all the major conflicts it can be hard to keep it going without bringing in new antagonists not set up earlier, which may weaken the story and disappoint readers.
The Amazon algorithm rewards writers for having a new book out every month or two. Some writers work themselves to death trying to hit that goal. Others team up.
The “Four Horsemen” military SF series has released 74 books in less than six years. It’s a joint project with about a dozen writers producing novels and another 20+ adding short stories.
I admire them, but it’s a lot of work coordinating the effort and maintaining continuity.
Q: What else do you hope to write over the next few years?
A: I’ll write a few short stories every year, either because an inspiration hit me or I was invited to an anthology.
One was just published in April in the Mammon: Collateral anthology, a companion to the Mammon: Titan novel, which was a 2022 Prometheus Best Novel nominee. My Amazon profile lists more anthologies I’ve contributed to than novels.
There are a couple of novels that I’ve written a few thousands words of
while blocked on another project. I may go back and finish them (one
is a romance, the other a techno-thriller).
My ideas file accumulates random thoughts and scenes which I can draw on when I need inspiration. For now, I’ll be focusing on the Fall of the Censor stories.
Coming up soon: Part 3 of the Gallagher interview, with a focus on his favorite sf authors and novels and what he thinks of awards.
Here is a link to the first part of the Gallagher interview, published in early February 2023.
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