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R.I.P., John Varley, a cutting-edge Heinleinesque sf writer and Prometheus winner

By Michael Grossberg

John Varley, winner of the 1999 Prometheus Award for Best Novel, is being remembered for his intelligent, imaginative, cutting-edge science fiction.

John Varley. Photo: Creative Commons license

Varley, who died in December at the age of 78 in Beaverton, Oregon, was “truly one of the greatest science fiction authors of all time,” wrote his fellow sf writer and friend David Brin in a tribute in the just-published January 2026 issue of Locus magazine.

An American science fiction writer (1947-2025), Varley often was Heinleinesque in his positive vision of human resilience and innovation and his ability to tell stories that blended adventure, suspense, believable characters, intelligent world-building and an epic sense of wonder.

In fact, Varley’s work often has been compared to frequent Prometheus winner Robert Heinlein, especially by the Canadian SF critic-author John Clute. So it made a lot of sense when Varley received the Robert A. Heinlein Award in 2009.

“He was fresh, he was complex, he understood the imaginative implications of transformative developments,” Clute wrote about Varley in his entry in the Encyclopedia of Science Fiction.

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Picaresque comedy, anti-authoritarian spirit and roguish individualism in an interstellar future: An Appreciation of John Varley’s The Golden Globe, the 1999 Prometheus Best Novel winner

Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, and make clear what makes past winners deserve recognition as pro-freedom sf/fantasy, we’re continuing in 2020 to present a series of weekly Appreciations of Prometheus Award-winners, starting with our first category for Best Novel.

Here’s the latest Appreciation for John Varley’s The Golden Globe:

A rare picaresque sf comedy among Best Novel winners, John Varley’s The Golden Globe follows the episodic adventures of a resilient itinerant actor living by his wits and thespian skills in the outer solar system.

Varley, clearly a fan of Shakespeare, updates the Bard in his 1998 novel to illustrate the theme that “if all the worlds (are) a stage – not world’s, but plural – then all the men and women in this are merely players… strutting, fretting and conniving through their exits and their entrances. And one man in his time plays many parts….”

That everyman man is Kenneth “Sparky” Valentine, the fugitive central character and an interstellar con man, who’s been on the run for decades from planet to planet. successfully evading the State authorities. Resourceful and scrappy, Sparky survives through con jobs and his high-tech ability to transform his age, his body type/size and his gender by altering skin-deep magnetic implants.

Continue reading Picaresque comedy, anti-authoritarian spirit and roguish individualism in an interstellar future: An Appreciation of John Varley’s The Golden Globe, the 1999 Prometheus Best Novel winner