Category: Michael Flynn

Astronauts, environmentalists, sf fandom, global cooling and social regression: An Appreciation of Fallen Angels, the 1992 Prometheus Best Novel winner by Flynn, Niven and Pournelle

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on freedom. Here’s our Appreciation for Fallen Angels, co-written by Michael Flynn, Larry Niven and Jerry Pournelle:

By Michael Grossberg

Fallen Angels, the 1992 Prometheus Best Novel winner, imagines a heroic struggle set against a dark future in which the United States and other countries are fighting a losing battle amidst the “global cooling” of a new Ice Age.

With the government turned anti-science and anti-technology in a coalition among Greens, feminists and religious fundamentalists, and federal officials focusing on persecuting science-fiction fans as subversives while ignoring the welfare of much of the population in some of the most affected parts of the weather-besieged country, this provocative 1992 novel might have been just a depressing cautionary tale.

But the novel’s co-authors Larry Niven, Jerry Pournelle and Michael Flynn offer some genuine hope by focusing on a group of individualistic, science-loving and freedom-loving misfits. Continue reading Astronauts, environmentalists, sf fandom, global cooling and social regression: An Appreciation of Fallen Angels, the 1992 Prometheus Best Novel winner by Flynn, Niven and Pournelle

Steampunk, Victorian technology, secret history and freedom of choice: An Appreciation of Michael Flynn’s In the Country of the Blind, the 1991 Prometheus Best Novel winner

The Libertarian Futurist Society’s ongoing Appreciation series strives to make clear what libertarian futurists see in each of our past winners and how each fit the Prometheus award’s distinctive focus on Liberty vs. Power. Here’s our appreciation of Michael Flynn’s In the Country of the Blind, the 1992 Prometheus winner for Best Novel.

By William H. Stoddard

Michael Flynn’s In the Country of the Blind came out in 1990, the same year as William Gibson and Bruce Sterling’s The Difference Engine. While the word “steampunk” was somewhat older (coined in 1987 by K.W. Jeter for Victorian fantasies generally), these two novels gave the genre one of its central themes: the use of Victorian technology and social transformation as an analog of (then-) recent computer technology, making steampunk parallel to cyberpunk.

For both novels, a central technology was Charles Babbage’s “analytical engine,” a proposed machine that would have been fully programmable in the manner of an electronic computer.

Gibson and Sterling made the analytical engine the basis for an alternate history – a literal “difference engine.” Flynn did something subtler: He made the analytical engine the basis for an only minimally fictionalized version of real-world history.

Continue reading Steampunk, Victorian technology, secret history and freedom of choice: An Appreciation of Michael Flynn’s In the Country of the Blind, the 1991 Prometheus Best Novel winner