The Diamond Age: Neal Stephenson’s first Prometheus finalist for Best Novel hailed as prophetic and timely cautionary tale


By Michael Grossberg

“The only person who might have envisioned a future as outlandish as our present is the Seattle-based author Neal Stephenson.”

Neal Stephenson in 2019 (Creative Commons license)

That’s the interesting and notable view of British-American historian Niall Ferguson, expressed in his Time Machine column on Substack.

To back up his thesis, Ferguson offers a detailed argument revolving around Stephenson’s 1995 science fiction novel The Diamond Age.

Along with his earlier breakthrough cyberpunk (or post-cyberpunk) novel Snow Crash (1992), The Diamond Age put Stephenson on the map as a visionary writer to watch – and read.

Continue reading The Diamond Age: Neal Stephenson’s first Prometheus finalist for Best Novel hailed as prophetic and timely cautionary tale


Science fiction’s prophetic dystopias: Niall Ferguson Spectator essay sheds light on Prometheus winners Bradbury, Orwell, Stephenson and Zamyatin while drawing timely comparisons to Huxley

How can science fiction be used to explore and perhaps take steps to prevent the darker possibilities of the future?

Writer-historian Niall Ferguson examines the benefits and prophetic classics of science fiction in an intriguing essay in The Spectator magazine.

Several Prometheus-winning authors – including Ray Bradbury (Fahrenheit 451), Sinclair Lewis (It Can’t Happen Here), George Orwell (Nineteen Eighty-Four), Neal Stephenson (The System of the World, Snow Crash) and Yevgeny Zamyatin (We) – are discussed with intriguing and incisive commentary in Ferguson’s recent article, “How Science Fiction Novels Read the Future.”

Continue reading Science fiction’s prophetic dystopias: Niall Ferguson Spectator essay sheds light on Prometheus winners Bradbury, Orwell, Stephenson and Zamyatin while drawing timely comparisons to Huxley