“I am not a number. I am a free man!” – Remembering Patrick McGoohan: who conceived, co-wrote and starred in The Prisoner, a TV series ahead of its time


By Michael Grossberg

Today, March 19, is the birthday of Patrick McGoohan.

Patrick McGoohan as Number 6 in The Prisoner (Creative Commons license)

It’s a timely opportunity to remember and pay tribute to McGoohan, an iconoclastic talent who excelled as an actor, director, producer, screenwriter and creator of one of the most unusual, provocative, genre-smashing and influential TV series in history.

I’m referring, of course, to The Prisoner, inducted in 2002 into the Prometheus Hall of Fame for Best Classic Fiction.

McGoohan (1928-2009) achieved a great deal on screen in his long and well-respected career. But The Prisoner in retrospect may be his crowning and most lasting achievement.

Yet, when McGoohan conceived, wrote and starred in the short-lived series, no one quite knew how to categorize it or what to make of it.

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Individualism and self-determination in landmark TV series: Patrick McGoohan’s The Prisoner, the 2002 Prometheus Hall of Fame winner

Here’s the Prometheus Blog Appreciation for The Prisoner,” the 2002 Prometheus Hall of Fame winner for Best Classic Fiction and the first TV series to be inducted into the Hall of Fame.

 

By Michael Grossberg

“I am not a number. I am a free man!”
Actor Patrick McGoohan utters those defiant words as the heroic individualist at the center of The Prisoner, one of the most unusual, enigmatic and evocative TV series ever broadcast.
Today, that emblematic catchphrase remains well-known in popular culture, and ranks high among the most familiar lines of dialogue from any TV show or movie of the 20th century.
“I will not be pushed, filed, stamped, indexed, briefed, debriefed, or numbered. My life is my own,” McGoohan declared in the first episode – another among many memorable anti-authoritarian and individualist lines of dialogue that he would utter throughout the iconic series.
Such explicit affirmations of individuality, self-determination and resistance to tyranny were highly unusual on television half a century ago – and sadly remain relatively rare today.

Continue reading Individualism and self-determination in landmark TV series: Patrick McGoohan’s The Prisoner, the 2002 Prometheus Hall of Fame winner