Review: Sarah Hoyt’s No Man’s Land develops rich tapestry blending SF/fantasy tropes to imagine “first contact” with vast cultural, political and gender differences


By Michael Grossberg

Sarah Hoyt has always been a wonderful storyteller who frequently crosses genre boundaries with engrossing results.

With No Man’s Land, nominated for this year’s Prometheus Award for Best Novel, Hoyt has outdone herself.

Blending the tropes and appeal of science fiction and fantasy, Hoyt weaves many enticing elements into the three-volume novel. Her two deftly entwined stories encompass space opera, mystery, romance, adventure, suspense, intrigue and politics in a vivid “first contact” saga leavened with humor and humanity.

Continue reading Review: Sarah Hoyt’s No Man’s Land develops rich tapestry blending SF/fantasy tropes to imagine “first contact” with vast cultural, political and gender differences


No Man’s Land: The epic novel that Prometheus winner Sarah Hoyt was born to write


By Michael Grossberg

Sarah Hoyt views No Man’s Land, nominated for the next Prometheus Award for Best Novel, as the epic story that she was born to write.

So what took her so long? The three-part novel required much of Hoyt’s life to gestate, mature and blossom – and therein lies another epic story.

“It’s been with me since I was 14,” Hoyt told me in an email interview.

Set in an interstellar future where humanity colonized many planets but also lost touch with some for centuries or millennia, the three-part 2025 novel blends tropes of science fiction and fantasy in intriguing ways.

Continue reading No Man’s Land: The epic novel that Prometheus winner Sarah Hoyt was born to write