Review: Harry Turtledove’s Prometheus-nominated Powerless critiques communism and blind obedience to authority

By Max More

Powerless, one of six novels nominated so far for the next Prometheus Award for Best Novel, is the first novel I have read by Harry Turtledove. I chose to read it because of its anti-authoritarian message.

The structure and function of this alternate reality – in which communism has taken over the United States (and apparently much or all of the world) – seemed familiar and frighteningly plausible to me based on my study of the years under Lenin and Stalin.

Our protagonist is Charlie Simpkins, more of a regular guy than any kind of superhero. But he is a regular guy with more spine than most around him who buckle under every order and demand of the West Coast People’s Democratic Republic.

A GOOD CITIZEN WHO’S HAD ENOUGH

Charlie manages a small (state-owned) vegetable shop in Los Angeles’ San Fernando Valley. Under threat of the hammer coming down on him, he has so far obeyed orders and been a “good” (obedient) citizen. But one day he is told to put up a ludicrous propaganda poster in his shop window. Charlie has had enough and tosses it in the trash, thereby setting off a chain of unpleasant events.

This is a static society and economy where communist-party members are in control and want to continue enjoying their benefits at the expense of everyone else and at the cost of halting progress.

One of the local party members, Mary Ann Hannegan, drops in every so often to lecture, berate, and threaten him. As she says, “Any change threatens the system. Any unauthorized change, all the more.” “Deviationism will not be tolerated, will not be permitted.”

A THORN IN THE SIDE OF THE SYSTEM

Like the communists of our world, “The leaders might talk about the arrival of true Communism and the withering away of the state, but they ruled as if they and their successors, like the dead leaders who appeared only on coins and postage stamps and monuments these days, were in for the long haul.”

Charlie persists in being a thorn in the side of the system, encouraged and infused with a flicker of hope by a rising party member who seeks to loosen things up a bit.

The situation seems to be improving a little for a while but this is a dystopian tale in which the authoritarians reassert their dominance. Charlie’s initial act of defiance is small but leads toward major trouble in a world where conformity and obedience are required to be absolute.

BROADER PARALLELS TO OTHER ORTHODOXIES

Although the story is set in a communist world, the events painfully reminded me of the less extreme pressures to not speak out against a proclaimed orthodoxy or consensus, whether relating to woke obsessions or climate apocalypticism.

It also reminded me of some other recent novels, especially two excellent 2025 Prometheus Best Novel finalists: Cancelled: The Shape of Things to Come by Danny King and Mania by Lionel Shriver, as well as as a Prometheus Hall of Fame winner for Best Classic Fiction that I only recently read: This Perfect Day, by Ira Levin.

Harry Turtledove in 2005 (Creative Commons license)

PAYING THE PRICE FOR FREEDOM

My one criticism is that Turtledove gets a little repetitive in hammering home some obvious points. An example: ‘Then Eichenlode said, “Maybe you’d like to talk outside, where we have more space?” Charlie heard: Maybe you’d like to talk outside, where the Nibbies can’t listen?’ Similar unnecessary passages appear throughout, which feels a bit like being spoon-fed.

While not an uplifting read, Powerless is focused on a man who stands up against the powers that be, a man willing to pay the price.

I was expecting to feel depressed when I finished it but the ending could have been worse for Charlie and others.

Powerless does leave us with some hope, however faint.

ABOUT HARRY TURTLEDOVE

Note: Harry Turtledove won the Prometheus Award for Best Novel in 2008 for The Gladiator,   which similarly envisions a twenty-first century where which Soviet Communism not only survived but triumphed.

His fantasy novel Between the Rivers was selected as a 2024 Prometheus Hall of Fame finalist for Best Classic Fiction.

ABOUT THE PROMETHEUS AWARDS AND THE LFS

Join us! To help sustain the Prometheus Awards and support a cultural and literary strategy to appreciate and honor freedom-loving fiction,  join the Libertarian Futurist Society, a non-profit all-volunteer association of freedom-loving sf/fantasy fans.

Libertarian futurists understand that culture matters. We believe that literature and the arts can be vital in envisioning a freer and better future. In some ways, culture can be even more influential and powerful than politics in the long run, by imagining better visions of the future incorporating peace, prosperity, progress, tolerance, justice, positive social change, and mutual respect for each other’s rights, human dignity, individuality and peaceful choices.

* Prometheus winners: For a full list of Prometheus winners, finalists and nominees – including in the annual Best Novel and Best Classic Fiction (Hall of Fame) categories and occasional Special Awards – visit the enhanced  Prometheus Awards page on the LFS website. This page includes convenient links to all published essay-reviews in our Appreciation series explaining why each of more than 100 past winners since 1979 fits the awards’ distinctive dual focus on both quality and liberty.

* Watch videos of past Prometheus Awards ceremonies, Libertarian Futurist Society panel discussions with noted sf authors and leading libertarian writers, and other LFS programs on the Prometheus Blog’s Video page.

* Read “The Libertarian History of Science Fiction,” an essay in the international magazine Quillette that favorably highlights the Prometheus Awards, the Libertarian Futurist Society and the significant element of libertarian sf/fantasy in the evolution of the modern genre.

* Check out the Libertarian Futurist Society’s Facebook page for comments, updates and links to the latest Prometheus Blog posts.

Published by

Michael Grossberg

Michael Grossberg, who founded the LFS in 1982 to help sustain the Prometheus Awards, has been an arts critic, speaker and award-winning journalist for five decades. Michael has won Ohio SPJ awards for Best Critic in Ohio and Best Arts Reporting (seven times). He's written for Reason, Libertarian Review and Backstage weekly; helped lead the American Theatre Critics Association for two decades; and has contributed to six books, including critical essays for the annual Best Plays Theatre Yearbook and an afterword for J. Neil Schulman's novel The Rainbow Cadenza. Among books he recommends from a libertarian-futurist perspective: Matt Ridley's The Rational Optimist & How Innovation Works, David Boaz's The Libertarian Mind and Steven Pinker's Enlightenment Now: The Case for Reason, Science, Humanism and Progress.

2 thoughts on “Review: Harry Turtledove’s Prometheus-nominated Powerless critiques communism and blind obedience to authority”

  1. I thought Powerless was an excellent novel. It affected me more because it was so plausible. It not only reflects historical episodes but resonates with some disturbing trends we have seen recently.

    Thank you, Chris, for the tip on the Havel story.

  2. Turtledove’s story is very clearly a direct response to Vaclav Havel’s 1978 essay “The Power of the Powerless” (https://www.nonviolent-conflict.org/wp-content/uploads/1979/01/the-power-of-the-powerless.pdf). Havel talks about how the subjects of a totalitarian state are not as powerless as they at first appear. The example Havel uses throughout the article is a shopkeeper who refuses to put up a political poster. Havel talks about how this simple act of disobedience can lead to others following the lead, and how minor acts of defiance, disobedience, and rebellion show that not everyone goes along with the system.

    Turtledove does a good job of adding flesh to Havel’s idea, and it’s a very readable story that goes off in a slightly different direction. Well worth the read!

Leave a Reply to Max More Cancel reply

Your email address will not be published. Required fields are marked *