{"id":9033,"date":"2025-11-26T00:03:01","date_gmt":"2025-11-26T06:03:01","guid":{"rendered":"https:\/\/www.lfs.org\/blog\/?p=9033"},"modified":"2025-11-16T21:53:53","modified_gmt":"2025-11-17T03:53:53","slug":"bradbury-heinlein-le-guin-vonnegut-stories-ranked-among-the-26-best-sf-stories-by-new-scientist-2","status":"publish","type":"post","link":"https:\/\/www.lfs.org\/blog\/bradbury-heinlein-le-guin-vonnegut-stories-ranked-among-the-26-best-sf-stories-by-new-scientist-2\/","title":{"rendered":"Bradbury, Heinlein, Le Guin, Vonnegut stories ranked among the 26 best SF stories by New Scientist\u2028"},"content":{"rendered":"

By Michael Grossberg<\/a><\/p>\n

E.M. Forster isn\u2019t the only Prometheus-recognized author on New Scientist\u2019s<\/em> intriguing list of the 26 best science fiction\/fantasy stories of all time.<\/p>\n

\"\"<\/a>
Kurt Vonnegut in 1972 (Creative Commons license)<\/figcaption><\/figure>\n

Although Forster\u2019s \u201cThe Machine Stop\u201d is the only story on the list specifically inducted into the Prometheus Hall of Fame, as described in a recent Prometheus blog post, several other enduring authors have stories on the magazine\u2019s list – just not the ones our award has recognized.<\/p>\n

\"\"<\/a>
Ursula K. Le Guin (Creative Commons license)<\/figcaption><\/figure>\n

Among those writers: Ray Bradbury, Robert Heinlein, Ursula K. Le Guin and Kurt Vonnegut.<\/p>\n

It\u2019s interesting to see which of their stories are recognized by the magazine, and why.<\/p>\n

<\/p>\n

RAY BRADBURY\u2019S TWO STORIES<\/b><\/p>\n

Perhaps most impressively, Bradbury is the only writer with more than one story selected by New Scientist.<\/p>\n

\"\"<\/a>
Ray Bradbury in 1959 (Creative Commons license)<\/figcaption><\/figure>\n

The first is \u201cThe Pedestrian,\u201d which actually is mentioned and part of the same fictional future in Bradbury\u2019s classic novel Fahrenheit 451,<\/i> inducted in 1984 into the Prometheus Hall of Fame.<\/p>\n

Here\u2019s an excerpt from the Appreciation review-essay<\/a> of Fahrenheit 451:
\n<\/i>
\n\u201cBradbury\u2019s 1953 novel makes an eloquent case (both libertarian and classical liberal) against censorship and book-burning as a blow not only to basic individual rights but as a devastating wound to history, memory and civilization itself.<\/p>\n

\"\"<\/a>\u201cBradbury\u2019s best-known novel offers an exemplary cautionary fable about an illiberal future society in which books are outlawed and burned to destroy them and any remnant of literacy, memory, deep culture and independent thinking.\u201d<\/p>\n

That same dystopian future frames \u201cThe Pedestrian\u201d (1951).<\/p>\n

Set in a society most \u201cpeople spend sedentary evenings gazing at screens,\u201d according to the magazine\u2019s mini-review, and AI-powered police robots are blind to human motivations, the story centers on a man \u201chauled away to an institution by a driverless police car\u201d because he is strolling outdoors at night with no purpose.<\/p>\n

Bradbury\u2019s reframing of an everyday human experience – a post-dinner walk – as a rebellious act is aptly referenced in Fahrenheit 451.<\/i><\/p>\n

Like Bradbury\u2019s better-known novel, the story offers a clear libertarian theme that fits our Hall of Fame (which is why it was nominated for the first time several years ago for consideration for our annual Best Classic Fiction category.<\/p>\n

Today, \u201cThe Pedestrian\u201d may be even more relevant.<\/p>\n

As New Scientist writer Matthew Sparkes writes in his description, \u201cthe story has valuable messages about the society we have since constructed that is increasingly difficult to navigate without technology and how we maintain humanity in the face of progress. And the unflinching AI that refuses to accept Mead\u2019s explanation should give us all pause for thought as we entrench large language models into every aspect of our lives.\u201d<\/p>\n

By the way, the other Bradbury story included on the magazine\u2019s list is \u201cThere Will Come Soft Rains\u201d (1950), a cautionary tale anticipating \u201csmart homes\u201d and exploring their isolating downside.<\/p>\n

\"\"<\/a>
Robert Heinlein (Photo courtesy of the Heinlein Trust)<\/figcaption><\/figure>\n

ROBERT HEINLEIN\u2019S STORY
\n<\/b>
\nHeinlein, the author most recognized by the Prometheus Awards, may be best remembered for his novels – especially The Moon is a Harsh Mistress,<\/a> Stranger in a Strange Land<\/a>, Red Planet,<\/a> Methuselah\u2019s Children,<\/a> Time Enough for Love<\/a> <\/i>and Citizen of the Galaxy<\/i>,<\/a> all inducted over the decades into the Prometheus Hall of Fame.<\/p>\n

Yet, many of his short stories continue to resonate, including \u201cRequiem,\u201d<\/a> \u201cCoventry\u201d<\/a> and \u201cFree Men,\u201d<\/a> each inducted in more recent decades and since the turn of the century into our Hall of Fame.<\/p>\n

The Heinlein story that New Scientist selected for its bests list, however, is \u201cAll You \u00a0 <\/span>Zombies,\u201d published in 1958.<\/p>\n

Despite its title, this isn\u2019t a zombie horror story but a sly time-travel tale with some twists, beginning wit a bartender (actually a temporal agent) coaxing a customer into sharing their incredible life story.<\/p>\n

\u201cBefore long,\u201d the magazine\u2019s Jeremy Hsu writes, \u201cthe conversation takes some unexpected but increasingly personal turns for both people. Heinlein supposedly wrote All You Zombies <\/i>in a single day and you can read it within half an hour \u2013 but don\u2019t be surprised if the story slithers into your subconscious and nests in its coils there for years to come.\u201d<\/p>\n

\"\"<\/a><\/p>\n

URSULA K. LE GUIN\u2019S STORY
\n<\/b><\/p>\n

Le Guin\u2019s dystopian\/utopian novel \u201cThe Dispossessed\u201d was inducted into the Prometheus Hall of Fame in 1993.<\/p>\n

The story New Scientist selected for its best list is set within the same fictional future as the novel – it\u2019s something of a prequel – and deals with some of the same ethical and sociopolitical themes.<\/p>\n

\"\"<\/a>
Ursula Le Guin in 2014 (Creative Commons License)<\/figcaption><\/figure>\n

Written in 1973, \u201cThe Ones Who Walk Away from Omelas\u201d depicts a community where everyone is happy and fulfilled, and many authoritarian vestiges of history (from slavery to monarchy) have been abolished or long faded away.<\/p>\n

With one seemingly small exception – a major and shocking twist that reveals the dark center of a seeming utopia and that raises uncomfortable questions about the price of progress.<\/p>\n

\u201cSpeculative fiction writers speak often about our need to dream up better worlds,\u201d New Scientist\u2019s Christie Taylor writes.<\/p>\n

\u201cBut you are reminded, with Omelas, to question your imagination even as you nurture it. To find in every utopia someone\u2019s dystopia. And to ask about those centred by this story\u2019s title: what exactly happens to those who walk away?\u201d<\/p>\n

KURT VONNEGUT\u2019S STORY<\/b><\/p>\n

\u201cHarrison Bergeron,\u201d Vonnegut\u2019s satirical 1961 cautionary tale about a future society in which radical egalitarianism has gone to authoritarian extremes, was inducted in 2019 into the Prometheus Hall of Fame.<\/p>\n

\"\"<\/a>That would have been the Vonnegut story I\u2019d select for a bests list, for sure, but New Scientist chose to recognize another.<\/p>\n

Set in a future 2000 with strict population controls and where old age has been \u201cconquered,\u201d \u201c2 B R 0 2 B\u201d follows a soon-to-be-father of triplets faced with a horrific choice: If his babies are to survive, he must line up three deaths by calling the title\u2019s telephone number for the municipal gas chambers of the FBT (the Federal Bureau of Termination.\u201d<\/p>\n

Yikes. (Come to think of it, the ethics and theme of Vonnegut\u2019s story is similar to those of Le Guin\u2019s.)<\/p>\n

OTHER AUTHORS AND STORIES ON THE LIST<\/b><\/p>\n

Among the other authors and stories on the bests list include H.G. Wells\u2019 The Time Machine<\/i> (1895), Isaac Asimov\u2019s \u201cNightfall\u201d (1941), Shirley Jackson\u2019s \u201cThe Lottery\u201d (1948), Arthur C. Clarke\u2019s \u201cThe Nine Billion Names of God\u201d (1953), and Daniel Keyes\u2019 \u201cFlowers for Algernon\u201d (1959).<\/p>\n

Plus, Philip K. Dick\u2019s \u201cWe Can Remember It For You Wholesale\u201d (inspiration for the two Total Recall<\/i> films), Joanna Russ\u2019s \u201cWhen It Changed\u201d (1972), Raccoona Sheldon\u2019s \u201cThe Screwfly Solution\u201d (1977), and George R.R. Martin\u2019s \u201cSandkings\u201d (1979).<\/p>\n

Also, Connie Willis\u2019 \u201cFire Watch\u201d (1982), William Gibson\u2019s \u201cBurning Chrome\u201d (1982), Bruce Sterling\u2019s \u201cSwarm\u201d (1982), Octavia E. Butler\u2019s \u201cBloodchild\u201d (1984), Jacqueline Harpman\u2019s \u201cI Who Have Never Known Men\u201d (1995), Cixin Liu\u2019s \u201cCloud of Poems\u201d (1997). (Liu\u2019s novel Three-Body Problem <\/i>became a 2015 Prometheus Best Novel finalist.)<\/p>\n

\"\"<\/a>Also, Ken Liu\u2019s \u201cThe Man Who Ended History: A Documentary\u201d (2011), Rebecca Roanhorse\u2019s \u201cWelcome to Your Authentic Indian Experience\u201d (2017); \u201cN.K. Jemisin\u2019s \u201cThe Ones Who Stay and Fight\u201d (2020), whose title and story are inspired by Le Guin\u2019s \u201cThe Ones Who Walk Away from Omelas,\u201d and qntm\u2019s \u201cLena\u201d (2021).<\/p>\n

Also included is Martha Wells\u2019 \u201cAll Systems Red\u201d (2018), which launched her popular Murderbot series. Grouped with her three other linked novellas Artificial Condition, Rogue Protocol <\/i>and Exit Strategy,\u201d <\/i>it became a Prometheus Best Novel finalist in 2019.<\/p>\n

\"\"<\/a><\/p>\n

ABOUT THE LFS AND PROMETHEUS AWARDS<\/b><\/p>\n

*\u00a0Join us!<\/b> To help sustain the Prometheus Awards and support a cultural and literary strategy to appreciate and honor freedom-loving fiction, \u00a0join<\/a> the Libertarian Futurist Society, a non-profit all-volunteer association of freedom-loving sf\/fantasy fans.<\/p>\n

Libertarian futurists understand that culture matters. We believe that literature and the arts can be vital in envisioning a freer and better future.<\/p>\n

In some ways, culture can be even more influential and powerful than politics in the long run, by imagining better visions of the future incorporating peace, prosperity, progress, tolerance, justice, positive social change, and mutual respect for each other\u2019s rights, human dignity, individuality and peaceful choices.<\/p>\n

* Prometheus winners:\u00a0<\/b>For a full list of Prometheus winners, finalists and nominees \u2013 including the annual Best Novel and Best Classic Fiction (Hall of Fame) categories and occasional Special Awards \u2013 visit the enhanced\u00a0Prometheus Awards page<\/a>\u00a0on the LFS website. This page includes convenient links to all published essay-reviews in our Appreciation series explaining why each of more than 100 past winners since 1979 fits the awards\u2019 distinctive dual focus on both quality and liberty.<\/p>\n

*\u00a0Watch videos of past Prometheus Awards ceremonies, Libertarian Futurist Society panel discussions with noted sf authors and leading libertarian writers, and other LFS programs on the Prometheus Blog\u2019s\u00a0Video page.<\/a><\/p>\n

* Read \u201cThe Libertarian History of Science Fiction,\u201d<\/a> an essay in the international magazine\u00a0Quillette<\/i>\u00a0that favorably highlights the Prometheus Awards, the Libertarian Futurist Society and the significant element of libertarian sf\/fantasy in the evolution of the modern genre.<\/p>\n

* Check out the Libertarian Futurist Society\u2019s Facebook page<\/a> for comments, updates and links to the latest Prometheus Blog posts.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Michael Grossberg E.M. Forster isn\u2019t the only Prometheus-recognized author on New Scientist\u2019s intriguing list of the 26 best science fiction\/fantasy stories of all time. Although Forster\u2019s \u201cThe Machine Stop\u201d is the only story on the list specifically inducted into the Prometheus Hall of Fame, as described in a recent Prometheus blog post, several other … Continue reading Bradbury, Heinlein, Le Guin, Vonnegut stories ranked among the 26 best SF stories by New Scientist\u2028<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1585,2201,1860,2561],"tags":[641,112,81,68,21,794,2560,2533],"class_list":["post-9033","post","type-post","status-publish","format-standard","hentry","category-fiction-in-the-news","category-ray-bradbury","category-robert-heinlein","category-ursula-k-le-guin","tag-fahrenheit-451","tag-kurt-vonnegut","tag-martha-wells","tag-ray-bradbury","tag-robert-heinlein","tag-the-dispossessed","tag-the-pedestrian","tag-ursula-k-le-guin"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pe8nGl-2lH","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/posts\/9033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/comments?post=9033"}],"version-history":[{"count":7,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/posts\/9033\/revisions"}],"predecessor-version":[{"id":9984,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/posts\/9033\/revisions\/9984"}],"wp:attachment":[{"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/media?parent=9033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/categories?post=9033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/tags?post=9033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}