{"id":5664,"date":"2023-06-08T16:37:37","date_gmt":"2023-06-08T21:37:37","guid":{"rendered":"https:\/\/www.lfs.org\/blog\/?p=5664"},"modified":"2024-01-03T19:36:56","modified_gmt":"2024-01-04T01:36:56","slug":"making-em-laugh-which-hall-of-fame-winners-best-incorporate-comedy","status":"publish","type":"post","link":"https:\/\/www.lfs.org\/blog\/making-em-laugh-which-hall-of-fame-winners-best-incorporate-comedy\/","title":{"rendered":"Making \u2018em laugh: Which Hall of Fame winners best incorporate comedy?"},"content":{"rendered":"

By Michael Grossberg<\/a><\/p>\n

Everyone has their favorites among the fiction works that have won the Prometheus Hall of Fame for Best Classic Fiction.<\/p>\n

\"\"<\/a><\/p>\n

And by everyone, I mean virtually everyone \u2013 since at least some of the 46 winning works are enjoyed by libertarians and non-libertarians alike, and by both science fiction\/fantasy fans and those who don\u2019t often read that genre.<\/p>\n

But how many rank the comedies that high?<\/p>\n

<\/p>\n

Sadly, comedy tends to be disvalued compared to tragedy or drama in most awards, from the Oscars to the Tony awards. Perhaps even, to some extent, in the Prometheus Awards.<\/p>\n

And that makes some sense: Many of the most widely acclaimed Prometheus Hall of Fame winners achieve their powerful and poignant impact via seriously intense dramatics.<\/p>\n

Among them: George Orwell\u2019s Nineteen Eighty-Four<\/a>,\u00a0<\/em>Ray Bradbury\u2019s Fahrenheit 451<\/em>,<\/a> J.R.R. Tolkien\u2019s The Lord of the Rings<\/a>,\u00a0<\/em>Ursula Le Guin\u2019s The Dispossessed\u00a0<\/em>and Ayn Rand\u2019s Anthem<\/em>, to name just a few.<\/p>\n

\"\"<\/a>Far fewer Hall of Fame winners incorporate humor to varying degrees.<\/p>\n

Among them: Eric Frank Russell\u2019s The Great Explosion<\/a>,\u00a0<\/em>Cyril Kornbluth\u2019s The Syndic, <\/em><\/a>J. Neil Schulman\u2019s\u00a0Alongside Night,<\/a> <\/em>Patrick McGoohan\u2019s innovative and surreal 1960s TV series\u00a0The Prisoner<\/a>, <\/em>and quite a few of Robert Heinlein\u2019s winners, from The Moon is a Harsh Mistress<\/a>\u00a0<\/em>to Time Enough for Love<\/a>\u00a0<\/em>(for Heinlein\u2019s zestful sense of adventure was often alloyed with humor).<\/p>\n

\"\"<\/a>Even Ayn Rand\u2019s otherwise very serious Atlas Shrugged <\/em>is often embroidered with comic touches. <\/em>(For ample evidence of the latter, read the section of my Prometheus appreciation<\/a> that focuses on how Rand focuses on humor, especially in regard to her names for villains.)<\/p>\n

FIVE COMEDY FAVORITES<\/strong>
\nBut of the Prometheus Hall of Fame-winning works of fiction that do incorporate humor, only a handful could be accurately and primarily categorized as comedies.<\/p>\n

\"\"<\/a>Of the comedies or comic adventures that appeal repeatedly to our sense of humor, which Hall of Fame winners make you laugh the most \u2013 and why? (Please share your favorites in the comments.)<\/p>\n

Of all the Prometheus Hall of Fame winners, here are the five comedy stand-outs, in my view, with a proven track record of tickling our funny bones:<\/p>\n

* <\/em>The\u00a0Illuminatus!\u00a0<\/i>trilogy,<\/a> by Robert Anton Wilson and Robert Shea, inducted in 1986 into the Prometheus Hall of Fame.<\/p>\n

* \u201cThe Emperor\u2019s New Clothes,\u201d<\/a> by Hans Christian Anderson, the 2000 Prometheus Hall of Fame winner<\/p>\n

\"\"<\/a>* Animal Farm,\u00a0<\/a><\/em>by George Orwell, the 2011 Prometheus Hall of Fame winner<\/p>\n

* \u201cHarrison Bergeron,\u201d<\/a> by Kurt Vonnegut, the 2019 Prometheus Hall of Fame winner<\/p>\n

* \u201cLipidleggin\u2019,<\/a>\u201d by F. Paul Wilson, the 2021 Prometheus Hall of Fame winner<\/p>\n

Even with just five \u201ccomedy favorite\u201d picks above, that\u2019s notably more comic works than can be found, in my opinion, on the list of the Prometheus Best Novel winners, which I previously analyzed for comedy in a recent blog.<\/p>\n

IS SHORTER FUNNIER?<\/strong><\/p>\n

\"\"<\/a>That may be partly because the Hall of Fame encompasses novels, novellas, stories, films, TV shows and other forms of fiction \u2013 and comedy tends to be far easier to sustain in shorter forms, such as stories and novellas, than at novel-length.<\/p>\n

That also has a lot to do with why, on television, most comedies tend to be half-hour shows while most dramas tend to be hour-long.<\/p>\n

A similar trend can be detected in movies: Most feature-film comedies tend to be notably shorter, running often 80 or 90 to 100 minutes – and rarely over two hours. Film dramas, meanwhile, traditionally run around or at least two hours long \u2013 and in recent years, more and more are running 2\u00bd, three hours or even 3\u00bd hours long.<\/p>\n

\"\"<\/a>Yikes!<\/p>\n

But a good laugh is short and sharp.<\/p>\n

Humor can get to the point quickly, with an immediate payment.<\/p>\n

It can accent a moment \u2013 and make your day.<\/p>\n

Just by \u201cmaking \u2018em laugh.\u201d<\/p>\n

And more often than not, making a quick point or reinforcing a libertarian or anti-authoritarian theme through humor can be just as effective, if not more, as slowly building tension and suspense through drama.<\/p>\n

Both comedy and drama can be rewarding. But sometimes, you need a release – and you’ve gotta laugh! So these Prometheus winners should help.<\/p>\n

Note: See a previous Prometheus Blog post<\/a> examining the most amusing and comical winners in the Prometheus Best Novel category.<\/p>\n

 <\/p>\n

\"\"<\/a>IF YOU WANT TO KNOW MORE:<\/strong><\/p>\n

* Prometheus winners:\u00a0<\/strong>For the full list of Prometheus winners, finalists and nominees \u2013 for the annual Best Novel and Best Classic Fiction (Hall of Fame) categories and occasional Special Awards \u2013 visit the enhanced\u00a0Prometheus Awards page\u00a0<\/strong><\/a>on the LFS website, which now includes convenient links to the full set of published appreciation-reviews of past winners.<\/p>\n

* Read\u00a0\u201cThe Libertarian History of Science Fiction,\u201d<\/strong><\/a>\u00a0an essay in the international magazine\u00a0Quillette<\/em>\u00a0that favorably highlights the Prometheus Awards, the Libertarian Futurist Society and the significant element of libertarian sf\/fantasy in the evolution of the modern genre.<\/p>\n

*\u00a0Watch\u00a0 <\/strong>videos <\/strong>of the 2022 Prometheus ceremony with Best Novel winner Wil McCarthy (Rich Man\u2019s Sky),<\/em>and past Prometheus Awards ceremonies, Libertarian Futurist Society panel discussions with noted sf authors and leading libertarian writers, and other LFS programs on the Prometheus Blog\u2019s\u00a0Video page.<\/strong><\/a><\/p>\n

\"\"<\/a>*\u00a0Join us<\/strong>! To help sustain the Prometheus Awards,\u00a0join\u00a0<\/strong><\/a>the Libertarian Futurist Society (LFS), a non-profit all-volunteer association of freedom-loving sf\/fantasy fans.<\/p>\n

Libertarian futurists believe that culture matters! We understand that the arts and literature can be vital, and in some ways even more powerful than politics in the long run, by sparking innovation, better ideas, positive social change, and mutual respect for each other\u2019s rights and differences.<\/p>\n

Through recognizing the literature of liberty and the many different but complementary visions of a free future via the Prometheus Awards, the LFS hopes to help spread better visions of the future that help humanity overcome tyranny, slavery and war and achieve universal liberty and human rights and a better world (perhaps eventually, worlds) for all.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Michael Grossberg Everyone has their favorites among the fiction works that have won the Prometheus Hall of Fame for Best Classic Fiction. And by everyone, I mean virtually everyone \u2013 since at least some of the 46 winning works are enjoyed by libertarians and non-libertarians alike, and by both science fiction\/fantasy fans and those … Continue reading Making \u2018em laugh: Which Hall of Fame winners best incorporate comedy?<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[32,1854,1924,9,1910,1862,1860],"tags":[937,65,437,558,167,1918,59,828,113,706,112,1921,268,254,21,28,879,103,83,738,691],"class_list":["post-5664","post","type-post","status-publish","format-standard","hentry","category-author-updates","category-ayn-rand","category-comic-works","category-essay","category-f-paul-wilson","category-george-orwell","category-robert-heinlein","tag-lipidleggin","tag-alongside-night","tag-animal-farm","tag-atlas-shrugged","tag-ayn-rand","tag-comedy","tag-george-orwell","tag-hans-christian-anderson","tag-harrison-bergeron","tag-illuminatus","tag-kurt-vonnegut","tag-m","tag-prometheus-hall-of-fame","tag-robert-anton-wilson","tag-robert-heinlein","tag-robert-shea","tag-the-emperors-new-clothes","tag-the-great-explosion","tag-the-moon-is-a-harsh-mistress","tag-the-prisoner","tag-the-syndic"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pe8nGl-1tm","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/posts\/5664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/comments?post=5664"}],"version-history":[{"count":14,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/posts\/5664\/revisions"}],"predecessor-version":[{"id":5896,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/posts\/5664\/revisions\/5896"}],"wp:attachment":[{"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/media?parent=5664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/categories?post=5664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lfs.org\/blog\/wp-json\/wp\/v2\/tags?post=5664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}