The 46th Prometheus Awards: Trev Huxley’s Brave New World acceptance speech about our surveillance society and the ‘designer drug’ of social media

Editor’s note: Trev and Tessa Huxley, Aldous Huxley’s grandchildren, spoke Aug. 16, 2026, at the 46th Prometheus Awards ceremony to accept the award for Huxley’s classic dystopian novel Brave New World, the 50th work to be inducted into the Prometheus Hall of Fame. This is Trev Huxley’s speech.

Trev Huxley speaking at the 46th Prometheus Awards ceremony on Zoom (File photo)

By Trev Huxley

I look around today and find myself in a world that’s a combination of my grandfather’s, Aldous Huxley, Brave New World and his former student George Orwell’s 1984.

A number of years ago I sat down with a senior Facebook executive who during our discussion looked at me and said “Trev we know more about you than you know about yourself.”

It was a bit of a boast, but not one that was a very hollow boast. They at the time were acquiring every commercially known database that they could get their hands on and compiling with the data they collected to create a profile of everyone in their network.

We now live in a society where surveillance has gotten into such an extreme level that the Chinese government virtually knows everything about everyone that lives there and can track them everywhere in real time. That’s the 1984 downside of my reality.

Aldous Huxley in 1947 (Creative Commons license)

OUR DESIGNER DRUG: SOCIAL MEDIA

Aldous didn’t believe that oppression would be the successful method of controlling a population and in many ways he was correct. Yes, the plenitude of designer drugs that stupefies a portion of our population is obvious, just look around you on the streets, but the real, the super insidious drug in my mind is Social Media.

It has caused the dumbing down of a huge portion of the population particularly in “technologically advanced” societies. The invention of doom scrolling combined with very sophisticated algorithms that feed people only what tickles their pleasure sensors has just corrupted the entire fact-based world. Social Media combined with the introduction of artificial intelligence, and we’re on the precipice of something that even Aldous may not have imagined in 1932.

Brave New World is almost 95 years old and with that in mind, the foresight and intellectual power of Aldous’s brain is astonishing.

New York’s Metropolitan Museum of Art (File photo)

VISITING THE MUSEUM WITH MY GRANDFATHER

Many years ago, when I was around eight or nine, my mother, Ellen Hovde, and I and Aldous went to the Metropolitan Museum of Art.  What many people don’t know is that Aldous went blind at age 16 due to an untreated eye disease. He actually learned Braille, about which he commented to me “the great thing about Braille is that one can read under the bed clothes without a flashlight.”

He would gain some of his sight back, but sight was a precious commodity to him that required great effort and concentration. (If you’re interested, read The Art of Seeing).

The Met (File photo)

So, there we were at the museum, Aldous holding, what seemed to me, a gigantic magnifying glass peering at paintings about two inches away from the surface, scanning back-and-forth and back-and-forth and finally moving onto yet another painting scanning back-and-forth and back-and-forth.

You can only imagine how a young boy felt.  This went on for approximately two hours and I wanted to scream with boredom and restlessness.

New York’s Plaza Hotel in the early 1900s (File photo)

A MAGICAL PLACE – AND AN AMAZING INTELLECT

To my great relief we finally left the museum and started walking down Fifth Avenue to the Plaza Hotel where Aldous often stayed. To my sister and myself, the Plaza was a magical place, one that we associate with our grandfather. There was nothing like high tea and pastry that brought joy to his every visit with us.

Aldous Huxley in the 1920s-1930s (Creative Commons license)

With those thoughts in mind, I started to listen to what Aldous was saying. What he said was mind blowing. One has to remember that basically what he was able to see through his magnifying glass was probably a square inch, or maybe two square inches, of a given painting at a time.

And yet here he was, walking along describing to my mother, the entire painting itself, and then of course, adding its art history.

it was at that moment I realized I was in the presence of an intellect that was almost beyond imagination to me.

How did he do that?, I said to myself.

It still amazes me to this day.

My sister and I are very pleased to see Brave New World receive the Prometheus Award, an honor it justly deserves.

But I would also like to honor the man himself, a man of towering intellect and a wonderful grandfather.

ABOUT THE PROMETHEUS AWARDS 

* Join us! To help sustain the Prometheus Awards, honor outstanding freedom-loving fantastical fiction and find fellowship with other fans, join the Libertarian Futurist Society, a non-profit all-volunteer international association of freedom-loving sf/fantasy fans.

Libertarian futurists understand that culture matters. We believe that literature and the arts can be vital in envisioning a freer and better future. In some ways, culture can be even more influential and powerful than politics in the long run, by imagining better visions of the future incorporating peace, prosperity, progress, tolerance, justice, positive social change, and mutual respect for each other’s rights, dignity, individuality and peaceful choices.

* Prometheus winners: For a full list of Prometheus winners, finalists and nominees – including in the annual Best Novel and Best Classic Fiction (Hall of Fame) categories and occasional Special Awards – visit the enhanced  Prometheus Awards page on the LFS website. This page includes links to all published essay-reviews in our Appreciation series explaining why each winning work since 1979 fits the awards’ distinctive dual focus on both liberty and literary quality.

* Watch videos of the annual Prometheus Awards ceremonies, Libertarian Futurist Society panel discussions with noted sf authors and leading libertarian writers, and other LFS programs on the Prometheus Blog’s Video page.

* Read “The Libertarian History of Science Fiction,” an essay in the international magazine Quillette that highlights the Prometheus Awards, the Libertarian Futurist Society and the significant elements of libertarian themes and insights in the evolution of the modern SF/fantasy genre.

* Check out the Libertarian Futurist Society’s Facebook page for updates, comments, and links to Prometheus Blog posts.

Published by

Michael Grossberg

Michael Grossberg, who founded the LFS in 1982 to help sustain the Prometheus Awards, has been an arts critic, speaker and award-winning journalist for five decades. Michael has won Ohio SPJ awards for Best Critic in Ohio and Best Arts Reporting (seven times). He's written for Reason, Libertarian Review and Backstage weekly; helped lead the American Theatre Critics Association for two decades; and has contributed to six books, including critical essays for the annual Best Plays Theatre Yearbook and an afterword for J. Neil Schulman's novel The Rainbow Cadenza. Among books he recommends from a libertarian-futurist perspective: Matt Ridley's The Rational Optimist & How Innovation Works, David Boaz's The Libertarian Mind and Steven Pinker's Enlightenment Now: The Case for Reason, Science, Humanism and Progress.

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