Some Prometheus-winning fiction imagines a better, freer future for humanity, one that libertarian futurists yearn to see come true in some form.
Other Prometheus-winning fiction is more dystopian, offering cautionary warnings about totalitarian tendencies that their authors portray with hopes of preventing them from materializing.
“Harrison Bergeron,” Kurt Vonnegut’s now-classic 1961 short story, which falls into the latter category, satirically but seriously extrapolates the coercive, absurd and even monstrously inhuman possibilities of radical egalitarianism taken to extremes.
Read the Prometheus Blog Appreciation to appreciate why Vonnegut’s story deserved to be recognized by the Libertarian Futurist Society as the 2019 Prometheus Hall of Fame winner.
Overall and at least in theory, it’s a good thing to see outstanding fiction continue to resonate within the broader American and world culture – especially when it’s pro-liberty or anti-authoritarian sf/fantasy and has been recognized through the Prometheus awards.
Unfortunately, “Harrison Bergeron” is becoming all too timely.
By Michael Grossberg Almost three quarters of a century after the publication of Nineteen Eighty-Four, the influence and prophetic power of George Orwell hasn’t faded.
Quite the contrary.
With the rise of “cancel culture” and various online-sparked mob panics increasingly common in our so-called enlightened modern era and with such dystopian experiments as the recent failed roll-out of the current administration’s “Disinformation Governance Board,” it’s become virtually impossible to read informed commentary across a broad spectrum of opinion magazines and columnists without coming across Orwellian references and warnings these days.
Maverick American-British writer Lionel Shriver has been recognized – again – in the Prometheus Awards.
First nominated in 2017 for The Mandibles: A Family, 2029-2047, which went on to become a Best Novel finalist, Shriver has been recognized as one of five 2022 Best Novel finalists for her novel Should We Stay Or Should We Go.
Ray Bradbury, a soulful romantic and ardent lover of American civil liberties, was one of the most celebrated American writers of the 20th century.
Perhaps best known for his dystopian novel Fahrenheit 451, one of the earliest and most deserving works inducted into the Prometheus Hall of Fame, and the many film and TV versions of his stories and novels, Bradbury continues to rank high in the pantheon of the greatest short-story writers and leading golden-age sci-fi/fantasy authors.
Yet, how long might his well-deserved reputation as a storyteller last amid the dismaying anti-liberal and authoritarian worldwide trends of the early 21st century?
A just-published essay in The Spectator, a British weekly magazine on politics, culture and current affairs, asks that worrisome question – while also making a powerful case for Bradbury as an enduring writer and champion of liberty.