LFS members have nominated eight works for the next Prometheus Hall of Fame for Best Classic Fiction.
Among them are one song, a novelette, a collection of linked short stories, two short stories and three novels – reflecting the many forms of fiction that are eligible for consideration in this Prometheus category.
With the nominations deadline having passed in September, here is the final list of this year’s nominees:
* The End of Eternity, a 1955 novel by Isaac Asimov
* “Free Men,” a 1966 novelette by Robert Heinlein
* “Primary Education of the Camiroi,” a 1966 short story by R.A. Lafferty * That Hideous Strength, a 1945 novel by C.S. Lewis
* Circus World, a 1981 collection of linked stories by Barry B. Longyear
* “The Trees,” a 1978 song by Neal Peart and Rush * The Truth, a 2000 novel by Terry Pratchett
* “Or Give Me Death,” a 1955 short story by Donald Westlake
Libertarian science fiction has always been a seminal strand in the ever-evolving genre of science fiction and fantasy – and in significant and honorable ways, that socially conscious and liberty-loving subgenre continues as a force today, even amid regressive and reactionary forces flirting with the perennial temptations of statism, authoritarianism and centralized, institutionalized coercion on the Left and Right.
Libertarian futurists – within and outside the Libertarian Futurist Society (not to mention other organizations within the far broader libertarian movement, from Reason and Libertymagazines to the Cato Institute) – have understood that for a long time.
Yet, it’s salutary and newsworthy when our understanding of the broader intellectual and artistic currents that have helped shape the four-decade-plus history and diversity of the Prometheus Awards is shared and appreciated by an international, cosmopolitan publication outside the libertarian movement.
Such a relatively rare occasion has materialized this month (June 2020) with a fair-minded, open-minded, rich and rewarding essay on “The Libertarian History of Science Fiction” published in Quillette, an influential web-magazine that embraces what modern libertarians might generally recognize as classically liberal principles.
According to its mission statement, Quillette offers “a platform for free thought. We respect ideas, even dangerous ones. We also believe that free expression and the free exchange of ideas help human societies flourish and progress.”
Indeed, LFS members might say as much, using virtually the same words, to uphold important Bill of Rights aspects of our libertarian vision of a fully free future in which people strive to respect other people’s rights and live together through the voluntary cooperation and enterprise of a free society and a free market while steadfastly abjuring violence, the initiation of force or fraud and the institutionalized coercion of the unchecked State.
Introduction: To highlight the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society began celebrating in 2019, and to make clear what libertarian futurists saw in each of our past winners that made them deserve recognition as pro-freedom sf/fantasy, we’re continuing in 2020 to present a series of weekly Appreciations of Prometheus Award-winners, starting with our first category for Best Novel.
Here’s the latest Appreciation for Terry Pratchett’s Night Watch, the 2003 Prometheus winner for Best Novel:
Night Watch, the 29th book in Terry Pratchett’s bestselling Discworld series and widely hailed as one of the best, focuses in his usual tongue-in-cheek style on what it takes to build a more-modern police force that eventually will be able to keep the peace and fight violent crime in one of the most unruly cities in fiction.
Filled with individualistic, anti-authoritarian and pragmatically libertarian themes that resonate with the actual history of our own planet and how market economies and modern civilization developed, this ingenious 2002 satirical fantasy blends political intrigue and police drama in a plot that also involves time travel back to the start of a legendary street rebellion.
To highlight and honor the four-decade history of the Prometheus Awards, which the Libertarian Futurist Society is celebrating in 2019, we are providing a reader’s guide with capsule Appreciations of past Prometheus Award-winners, starting with the Best Novel category.
If you’ve ever wondered why a particular work of fiction has been recognized with a Prometheus Award and what libertarian sf fans see in these award-winning works, then our upcoming series of Appreciations should be must reading – as well as informative and illuminating!
Or, if you’re simply looking for something enjoyable and stimulating to read within the realm of science fiction and fantasy, which also illuminates abiding questions about the perennial tensions between Liberty and Power, an excellent place to begin is with this recommended reading list of award-winning fiction (to be published here on a regular weekly (or biweekly) schedule, starting now (September 2019).
These capsule appreciations are being written and edited by LFS members (including LFS founder Michael Grossberg, LFS President William H. Stoddard, and veteran LFS leaders and board members Chris Hibbert, Tom Jackson, Anders Monsen, Eric Raymond, and others). In a few cases, the Appreciations will be based in part on reviews printed in the Prometheus quarterly (1982-2016) or the Prometheus blog (2017-today). Since 1979, a wide array of novels, novellas, stories, films, TV series and other works of fiction have won Prometheus awards by highlighting in fascinatingly different ways the value of voluntary social cooperation over institutionalized State coercion, the importance of respecting human rights (even for that smallest minority, the individual), and the evils of tyranny (whether on the Left or the Right).