Reason highlights fresh aspects of Tolkien’s anti-statism reflected in new TV series “The Rings of Power”

After watching just the first few episodes, fans of “The Lord of the Rings” may still be making up their minds whether the Amazon-Prime prequel “The Rings of Power” is a worthy successor to the three LOTR films and most important, whether it does justice to J.R.R. Tolkien and his powerful anti-authoritarian themes.

A bust of JRR Tolkien. File photo

But Reason magazine has weighed in with an insightful column that offers a nuanced answer to the question of how faithful is the epic new series to “Tolkien’s Anti-Statism.”

The answer, fans of the Prometheus Hall of Fame-winning trilogy will be happy and relieved to hear, is mostly yes.

Like the LFS members who voted to induct Tolkien’s fantasy trilogy into the Prometheus Hall of Fame in 2009, Reason columnist Christian Britscchgi seems well aware of the ways in which The Lord of the Rings celebrates “freedom against arbitrary government interference.”

Continue reading Reason highlights fresh aspects of Tolkien’s anti-statism reflected in new TV series “The Rings of Power”

The corruption of absolute power vs. the largely stateless Shire: J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history, the Libertarian Futurist Society since 2019 has been publishing a series of Appreciations of all past award winners that make clear why they were recognized.

Here is an Appreciation for J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner for Best Classic Fiction:

“Power tends to corrupt; and absolute power corrupts absolutely.” – Lord Acton (1834-1902)

“One Ring to rule them all,
One Ring to find them,
One ring to bring them all,
and in the darkness bind them.”
– The Ring inscription in The Lord of the Rings

By Michael Grossberg and William H. Stoddard

The Lord of the Rings is not only one of the greatest works of fantasy but also a cautionary libertarian fable about the inevitable temptations of power.

J.R.R. Tolkien’s classic trilogy – a three-part novel (The Fellowship of the Ring, The Two Towers and The Return of the King) published in 1954-1955 – charts a social, political, personal and supernatural struggle between freedom and absolute tyranny.

Continue reading The corruption of absolute power vs. the largely stateless Shire: J.R.R. Tolkien’s The Lord of the Rings, the 2009 Prometheus Hall of Fame winner