To highlight the Prometheus Awards’ four-decade-plus history and make clear why each winner deserves recognition as a pro-freedom and/or anti-authoritarian work of sf/fantasy, the Libertarian Futurist Society has been publishing since 2019 a series of Appreciations of all past award-winners.
Here is an Appreciation of George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.
By Michael Grossberg
The title of the allegorical work may make Animal Farm sound like a children’s fable, but it isn’t.
Oh, the short novel certainly can – and probably should – be read by teenagers and more mature younger readers, who likely will enjoy it and also grasp its perennial theme about the corruptions of power and the absolute corruption of absolute power.
Yet, the cautionary themes of George Orwell’s enduring 1945 work truly are aimed at adults.
Continue reading An allegorical fable about the beastly consequences of communism and coercive egalitarianism: George Orwell’s Animal Farm, the 2011 Prometheus Hall of Fame co-winner for Best Classic Fiction.
To highlight the Prometheus Awards’ four-decade history and make clear why winners deserved our recognition as notable pro-freedom and/or anti-authoritarian works, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners.
Here is an Appreciation for Hans Christian Anderson’s fable “The Emperor’s New Clothes,” the 2000 Prometheus Hall of Fame winner for Best Classic Fiction:
By Michael Grossberg
It’s not just for kids.
Nor is Hans Christian Anderson’s “The Emperor’s New Clothes” merely another children’s fable.
Few stories have resonated so deeply with all ages for so many generations that they become an integral part of international culture.
This sly libertarian fable has become so emblematic in folk wisdom that it’s inspired a common catchphrase: “The emperor has no clothes.”
Continue reading Speaking truth to power: Hans Christian Anderson’s “The Emperor’s New Clothes,” the 2000 Prometheus Hall of Fame winner
To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as notable pro-freedom and/or anti-authoritarian/dystopian sf/fantasy, the Libertarian Futurist Society has been publishing since 2019 a weekly series of Appreciations of all past award-winners, beginning with the first category for Best Novel and now focusing on the Hall of Fame for Best Classic Fiction.
Here is an Appreciation of George Orwell’s Nineteen Eighty-Four, a co-winner of the 1984 Prometheus Hall of Fame award for Best Classic Fiction.
By Michael Grossberg
“Big Brother is Watching” is just one phrase that’s become widely known from Nineteen Eighty-Four, George Orwell’s cautionary 1948 novel about a future totalitarian society in which almost everyone is caught up in the power-worshiping cult of the charismatic ruler.
Few works of fiction have connected so deeply to popular culture that they introduce even one catchphrase or line of dialogue that still resonates today, but Orwell’s cautionary tale generated several that even in the 21st century haven’t yet been flushed down the “memory hole” of popular culture.
Among the neologisms that continue to be quoted widely and resonate through American and world culture: Thought Police, Newspeak, “proles,” “thoughtcrime,” “doublethink,” Room 101, Two Minutes Hate, and “unperson.”
Continue reading Big Brother, doublethink, thoughtcrime, Newspeak & memory holes: George Orwell’s Nineteen Eighty-Four, a 1984 Prometheus Hall of Fame winner for Best Classic Fiction
To highlight the Prometheus Awards’ history and track record while making clear what makes each winner deserve recognition as pro-freedom or anti-authoritarian sf/fantasy, the Libertarian Futurist Society is presenting weekly Appreciations of past award-winners.
Our anniversary series was launched in 2019 – 40 years after the first Prometheus Award was presented – starting in chronological order with appreciation/reviews of the earliest winners in the original Best Novel category.
Here’s the latest Appreciation for Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel:
By Anders Monsen and Michael Grossberg
Few sf/fantasy novels attempt to envision a fully free future, and only a fraction of those efforts prove fruitful and plausible, not to mention gripping in narrative and appealing in characters.
Darkship Thieves, with central characters to care about and a suspenseful, fast-paced plot, is especially intriguing to libertarians for its plausible portrait of a high-tech anarchist society among the asteroids.
With this 2010 novel, Sarah Hoyt launched a series of novels in the same future solar-system-wide scenario focusing on a heroic woman from an anarchist colony in the asteroid belt who must fight for her freedom and identity against a tyrannical Earth.
Hoyt, a deft master of many genres, blends science fiction with romance, adventure, political intrigue and individualist-feminist themes.
Continue reading Heinleinesque adventure, romance, bioengineered humans and anarchy in the asteroids: An Appreciation of Sarah Hoyt’s Darkship Thieves, the 2011 Prometheus Award winner for Best Novel