To highlight the Prometheus Awards’ diverse four-decade-plus history and make clear why each winner deserves recognition as a pro-freedom and/or anti-authoritarian work of sf/fantasy, the Libertarian Futurist Society has been publishing since 2019 a series of Appreciations of all past award-winners.
Here is an Appreciation of Vernor Vinge’s story “True Names,” a 2007 Prometheus Hall of Fame co-winner for Best Classic Fiction.
By Michael Grossberg and Chris Hibbert
“True Names” is a seminal work of the cyberpunk genre.
A landmark when it was published in 1981, Vernor Vinge’s now-classic story gave the public their first glimpse of cyberspace and showed how the struggle for control might penetrate the new medium.
One of the earliest works of fiction to present a fully detailed concept of cyberspace, the story also explores themes of anarchism and trans-humanism that are of great interest to libertarian futurists.
The story follows the progress of a group of computer hackers who keep their true identities secret while being among the first to adopt a new full-immersion virtual-reality technology. They do so out of curiosity or an entrepreneurial desire to profit – both respectable and even laudable motivations from the libertarian perspective that appreciates the crucial role of innovation and free markets in advancing human progress, prosperity, well-being and knowledge.
Continue reading A cyberspace, cyberpunk landmark in sf history: Vernor Vinge’s True Names, a 2007 Prometheus Hall of Fame winner
The Libertarian Futurist Society’s Appreciation series offers review-essays of past award-winners that make clear why each deserves recognition as a pro-freedom and/or anti-authoritarian work. Here’s an appreciation for writer Alan Moore and artist David Lloyd’s graphic novel V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.
“People should not be afraid of their governments. Governments should be afraid of their people.”– V for Vendetta
By Michael Grossberg
V for Vendetta dramatizes and illustrates a horrific cautionary tale about the loss of freedom and identity itself in a chilling totalitarian future.
The 1989 graphic novel, created by British writer Alan Moore and artist David Lloyd, has been widely acclaimed as a defining work within the medium of comics and the emerging art of graphic novels – and deservedly so.
Like some of the best dystopian novels, this vivid fusion of word and image chronicles the debilitating and soul-crushing impact of living in an authoritarian police state. That’s a nightmare that few understand who haven’t experienced it, but V for Vendetta makes it palpable.
Happily, V for Vendetta isn’t just harrowing but also inspiring – for it also highlights the power of the human spirit to resist tyranny. The graphic novel earns our sympathy for a few valiant if damaged souls who find the courage to rebel against the excesses and norms of truly unlimited government.
Continue reading A vivid graphic novel about resisting a totalitarian future: Alan Moore and David Lloyd’s V for Vendetta, the 2006 Prometheus Hall of Fame winner for Best Classic Fiction.
To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a notable pro-freedom work, the Libertarian Futurist Society began publishing in 2019 an Appreciation series of all past award-winners.
Here’s an Appreciation of Ursula K. Le Guin’s The Dispossessed, the 1993 inductee into the Prometheus Hall of Fame for Best Classic Fiction (and perhaps the most controversial work to ever be inducted into the Hall of Fame.)
By Michael Grossberg
Two alleged utopias are explored and contrasted in The Dispossessed, Ursula K. Le Guin’s 1974 novel about a rebel who leaves one world for the other.
As befits any intelligent observer of the 20th and 21st century who must take into account the emergence of dystopian fiction as a major subgenre in response to the authoritarian and collectivist horrors of socialism, communism, national socialism and fascism in Russia, China, Germany, Italy and elsewhere, Le Guin underlines her complex theme by subtitling her novel “An Ambiguous Utopia.”
Continue reading Anarchism, socialism, “propertarians” and ambiguous utopias: Ursula K. Le Guin’s The Dispossessed, the 1993 Prometheus Hall of Fame winner for Best Classic Fiction