Hall of Fame (Classic Fiction)

How and Why to Fight For Freedom: An Appreciation of Heinlein’s “Free Men,” the 2023 Prometheus Hall of Fame winner for Best Classic Fiction

As part of the LFS’ ongoing Appreciation series of review-essays explaining how each Prometheus Award-winner fits the distinctive libertarian and anti-authoritarian focus of the sf/fantasy award and why it deserved to win, here is an Appreciation by author Karl K. Gallagher (a frequent Best Novel finalist himself) of Robert Heinlein’s story “Free Men,” the 2023 Prometheus Hall of Fame winner for Best Classic Fiction.

By Karl K. Gallagher

Many writers have “trunk stories”—pieces rejected so many times that the writer shoves them into a trunk and stops sending them out again. “Free Men” seems to have been one of Heinlein’s trunk stories.

The Expanded Universe foreword says he wrote it in 1947, just a year after Churchill’s Iron Curtain speech. The story wasn’t published until 1966, in the Worlds of Robert A. Heinlein single-author collection.

I can understand why editors didn’t want it.

It’s a grim story, with the protagonist left bleeding out as his followers flee to a new hiding place.

The premise is a USA occupied after losing WWIII, by an enemy willing to nuke towns as reprisals against guerillas. The kind of story that makes readers put the terms “unpatriotic,” “defeatist,” or “advocating ‘better red than dead’” in the letters cancelling their subscriptions.

So why did Heinlein write it? And why do some readers love it?

Continue reading How and Why to Fight For Freedom: An Appreciation of Heinlein’s “Free Men,” the 2023 Prometheus Hall of Fame winner for Best Classic Fiction

Slavery, family, and a fight for liberty in a “juvenile” for all readers: An appreciation of Heinlein’s Citizen of the Galaxy, the 2022 Prometheus Hall of Fame winner

By William H. Stoddard

From his first stories published in Astounding Science Fiction to such late novels as Friday and Job, Robert Heinlein was recognized as an outstanding science fiction writer.

For many of us, though, our introduction to his writing, and often to science fiction as a genre, came from the twelve novels he published through Charles Scribner’s Sons.

Categorized as “juvenile” and aimed at an audience ranging from boys in junior high school to young men in the armed forces, these books in fact speak to a far wider audience, and are more sophisticated both in literary technique and in the ideas they present, than almost any other boys’ books and indeed than many books for adults.

And those ideas are often relevant to libertarian concerns.

Continue reading Slavery, family, and a fight for liberty in a “juvenile” for all readers: An appreciation of Heinlein’s Citizen of the Galaxy, the 2022 Prometheus Hall of Fame winner

Butter, eggs and the taste of freedom: An Appreciation of F. Paul Wilson’s “Lipidleggin’”, the 2021 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a notable pro-freedom and/or anti-authoritarian work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.

Here is a review essay about F. Paul Wilson’s story “Lipidleggin’,” the 2021 Prometheus Hall of Fame winner for Best Classic Fiction. With this appreciation for this year’s winner, our Appreciation series for the Hall of Fame category of the Prometheus Awards is now complete.

By Michael Grossberg

Once you taste freedom, it’s harder to live your life without it.

Once you learn to enjoy the taste of something good, you naturally tend to want more of it.

The mouth waters, remembering how wonderful some things taste… like liberty…. and frying eggs in butter. Mmmm… yummy.

(Also, wouldn’t it be nice if petty bureaucrats and aspiring tyrants could be seduced by the mere taste of freedom?)

Such are my immediate thoughts after rereading “Lipidleggin’,” the 2021 Prometheus Hall of Fame winner for Best Classic Fiction.

Continue reading Butter, eggs and the taste of freedom: An Appreciation of F. Paul Wilson’s “Lipidleggin’”, the 2021 Prometheus Hall of Fame winner

Rising up against universal surveillance and the imperial state: Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a pro-freedom and/or anti-authoritarian work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.

Here is an Appreciation for Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

In “Sam Hall,” published in 1953 in Astounding Science Fiction, Poul Anderson offers one of the earlier visions of a dystopian possibility based on the computers that had been invented only a few years before: a society with ubiquitous surveillance.

This is our age’s version of the panopticon described by Jeremy Bentham – one not confined to local sites such as prisons, but having an entire nation, or an entire planet, in its view. Anderson’s vision of computer technology is primitive, with a gigantic machine in a central government office that receives and stores information on punched cards. It has no hint of artificial intelligence, or of the ability to interpret voice or vision. But the job he sees it as doing is still the stuff of our nightmares.

Continue reading Rising up against universal surveillance and the imperial state: Poul Anderson’s story “Sam Hall,” the 2020 Prometheus Hall of Fame winner for Best Classic Fiction.

Egalitarianism taken to coercive extremes in attacks on excellence: Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as anti-authoritarian or pro-freedom, the Libertarian Futurist Society is publishing an Appreciation series of all past award-winners.

Here is an Appreciation for Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg
The government’s Handicapper General enforces new constitutional amendments mandating that no one can be stupider, uglier, weaker, slower – or in any way better – than anyone else.

To enforce this authoritarian and radical egalitarian edict, perfectly capable people are forced to accept and wear various disabling devices that handicap their capabilities and basic humanity.

Leave it to the great American novelist Kurt Vonnegut Jr. to come up with such a classic cautionary fable about a dystopian future in the United States in which coercive egalitarianism – a close cousin of progressivism – is taken to such radical and inhuman extremes in a perverse authoritarian revolt against personal excellence.

Continue reading Egalitarianism taken to coercive extremes in attacks on excellence: Kurt Vonnegut’s story “Harrison Bergeron,” the 2019 Prometheus Hall of Fame winner

Robots, liberty and the tyranny of “benevolence”: Jack Williamson’s novelette “With Folded Hands…,” the 2018 Prometheus Hall of Fame winner

To highlight the Prometheus Awards’ four-decade history and make clear why each winner deserves recognition as a notable pro-freedom work, the Libertarian Futurist Society has been publishing since 2019 an Appreciation series of all past award-winners.

Here is an Appreciation for Jack Williamson’s “With Folded Hands…,” the 2018 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

Jack Williamson’s novelette “With Folded Hands . . .” illustrates one of the distinctive characteristics of science fiction: its tendency to a kind of dialogue, in which one author’s stories comment on earlier stories by other authors. (Poul Anderson was noteworthy for this kind of writing, in stories such as “Journeys End,” which offered a different view of relationships between telepaths, and “The Man Who Came Early,” which questioned the assumptions of “castaways in time” stories such as Lest Darkness Fall.)

In 1947, when Williamson’s novelette appeared in Astounding Science Fiction, the idea of essentially benevolent robots was well established there; Isaac Asimov’s Three Laws of Robotics (which Astounding’s editor, John W. Campbell, played a part in formulating) had been explicitly stated in Asimov’s novelette “Runaround” five years before, in 1942. What Williamson did was not to revert to the older theme of monstrous and hostile robots (which Asimov had called “the Frankenstein complex”), but to look at Asimov’s own vision of robots from a different angle.

Continue reading Robots, liberty and the tyranny of “benevolence”: Jack Williamson’s novelette “With Folded Hands…,” the 2018 Prometheus Hall of Fame winner

Self-discovery, crime, law, anarchy and the social compact: Robert Heinlein’s Coventry, the 2017 Prometheus Hall of Fame winner

Here’s the Prometheus Blog appreciation for Robert Heinlein’s Coventry, the 2017 Prometheus Hall of Fame winner for Best Classic Fiction:

By Michael Grossberg and Jesse Markowitz

What is the ideal society? Is utopia even possible?

How close has the United States come to an ideal society, even with the inevitable flaws that beset every country and culture?

These are among the perennial questions explored and dramatized in Robert Heinlein’s classic story Coventry.

Related questions also emerge: How do you build a utopia and who do you build it for? Is it possible, fair and just to build a utopian alternative for some, but not for others?

Continue reading Self-discovery, crime, law, anarchy and the social compact: Robert Heinlein’s Coventry, the 2017 Prometheus Hall of Fame winner

A great and logical heterotopia, with libertarian insights into optimization: Donald Kingsbury’s Courtship Rite, the 2016 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of Donald Kingsbury’s Courtship Rite, the 2016 Prometheus Hall of Fame winner for Best Classic Fiction.

By William H. Stoddard

As an opening epigraph in Glory Road, Robert Heinlein quotes some lines by Bernard Shaw that include the sentence “He is a barbarian, and thinks the customs of his tribe and island are the laws of nature.” One of the things science fiction can do for its readers is to jar us out of such complacency, by portraying worlds with customs other than ours – not utopias or dystopias, but heterotopias, “other places.” Donald M. Kingsbury’s Courtship Rite is one of the great heterotopias.

Continue reading A great and logical heterotopia, with libertarian insights into optimization: Donald Kingsbury’s Courtship Rite, the 2016 Prometheus Hall of Fame winner

Civil disobedience vs. repressive authority: Harlan Ellison’s subversive and satirical story “Repent Harlequin!’, Said the Ticktockman,” the 2015 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of Harlan Ellison’s “Repent Harlequin!’, Said the Ticktockman,” the 2015 Prometheus Hall of Fame winner for Best Classic Fiction.

By Michael Grossberg

The ticking of a clock and a tight schedule controls the future world in “Repent Harlequin!’, Said the Ticktockman,” one of Harlan Ellison’s best and most iconic stories.

The satirical and dystopian tale, which opens with quotes from Henry David Thoreau’s classic work on Civil Disobedience, lampoons the excesses and absurdities of regimentation.

Continue reading Civil disobedience vs. repressive authority: Harlan Ellison’s subversive and satirical story “Repent Harlequin!’, Said the Ticktockman,” the 2015 Prometheus Hall of Fame winner

A cyberspace, cyberpunk landmark: Vernor Vinge’s True Names, a 2007 Prometheus Hall of Fame winner

Here is the Prometheus Blog Appreciation of Vernor Vinge’s story “True Names,” a 2007 Prometheus Hall of Fame co-winner for Best Classic Fiction.

By Michael Grossberg and Chris Hibbert

“True Names” is a seminal work of the cyberpunk genre.

A landmark when it was published in 1981, Vernor Vinge’s now-classic story gave the public their first glimpse of cyberspace and showed how the struggle for control might penetrate the new medium.

One of the earliest works of fiction to present a fully detailed concept of cyberspace, the story also explores themes of anarchism and trans-humanism that are of great interest to libertarian futurists.

The story follows the progress of a group of computer hackers who keep their true identities secret while being among the first to adopt a new full-immersion virtual-reality technology. They do so out of curiosity or an entrepreneurial desire to profit – both respectable and even laudable motivations from the libertarian perspective that appreciates the crucial role of innovation and free markets in advancing human progress, prosperity, well-being and knowledge.

Continue reading A cyberspace, cyberpunk landmark: Vernor Vinge’s True Names, a 2007 Prometheus Hall of Fame winner